At last year's
Bite Sized Textiles exhibition,
Sue Lawty's little lead-thread piece caught my eye. Just now, a close-up of another lead piece, on the
Transition & Influence website, caught my eye -
Oh my, the gleam of the smooth metal - the soft metal - a
dangerous metal. (No longer found in paint or in fuel; but still in contaminated soil near roadways and in deteriorating old paint ... if you're typesetting, don't forget to wash your hands.)
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| Lead Weave (detail); image from here |
And the flow of the forms - so easy-looking, a graceful metal ... though she's going with the flow, she is bending the metal to her will. It is an accommodating medium, up to a point.
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| "Calculus" (image from here) |
Her work includes the "stone drawings" - accumulations of pebbles glued to a wall, very time consuming (to find, to sort, to arrange, to affix); definitely time-based work.
Her work "develops ideas of individuality and universality". Of unconventional uses of traditional practices.
Pushing the envelope. Tiptoeing near dangerous ground. In an alluring way. Restraint; balance; tension; rhythm. Simplicity; there's just enough happening...
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